Rating : 6.8/10 based on 450K user ratings
Genres : Car Action, Action, Crime, Thriller
Los Angeles police officer Brian O'Conner must decide where his loyalty really lies when he becomes enamored with the street racing world he has been sent undercover to end it.
The.Fast.and.the.Furious.2001.BluRay.2160p.Remux.DV.HDR10+HEVC.DTS-X.7.1-DepraveD – 51.5 GB
General Filename.......: The.Fast.and.the.Furious.2001.BluRay.2160p.Remux.DV.HDR10+HEVC.DTS-X.7.1-DepraveD.mkv FileSize.......: 51.5 GiB Duration.......: 1 h 46 min Video Codec..........: HEVC Main [email protected]@High Resolution.....: 3840x2160 Aspect ratio...: 16:9 Bit rate.......: 64.0 Mb/s Frame rate.....: 23.976 fps Color primaries: BT.2020 - HDR10 / HDR10+ Audio Language.......: English Channels.......: 8 CH Format.........: DTS-HD Master Audio Bit rate.......: 4 017 kb/s (DTS:X 7.1) Audio (#2) Language.......: English Channels.......: 6 CH Format.........: Dolby Digital Bit rate.......: 640 kb/s (AC-3 5.1 (Compatibility Track)) Audio (#3) Language.......: English Channels.......: 2 CH Format.........: Dolby Digital Bit rate.......: 192 kb/s (Commentary by director Rob Cohen) Subtitle.......: English (English (SDH)) Subtitle.......: French (French) Subtitle.......: Japanese (Japanese) Subtitle.......: Portuguese (Portuguese (Brazilian)) Subtitle.......: Spanish (Spanish (Latin American)) Subtitle.......: English (English (Commentary)) Subtitle.......: Japanese (Japanese (Commentary)) Subtitle.......: Portuguese (Portuguese (Brazilian) (Commentary)) Subtitle.......: Spanish (Spanish (Latin American) (Commentary))
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Posted on December 28, 2025 at 06:23 PM
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3 Comments on "The.Fast.and.the.Furious.2001.BluRay.2160p.Remux.DV.HDR10+.HEVC.DTS-X.7.1-DepraveD – 51.5 GB"
What is the source ofthe Dolby Vision please ?
From another source:
DV/HDR10+ generating process: HEVC stream was extracted from the source MKV, converted to prores 422HQ (qscale=3), and imported into Davinci Resolve Studio 18.6. Scenes were detected in Resolve. Tuning analysis setting for DV algorithm was set to 1 (Most Highlight Detail/Most Mapping). Mastering Display setting was matched to the Base Layer (1000-nit, P3). Output blanking was set to match the 2.35 aspect ratio (T263/B263). DV (v4.0, P3-D65) and HDR10+ analyzed in Resolve and exported. HDR10+, then DV injected into base layer source and remuxed.
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