The Warners UHD only had HDR, all the webs had different order of logos at the start, it was not possible to cut and re-arrange due to not having I-frame on fadeouts, so the logos at the start were cut, also at the end after the movie ended the logos were cut as it was different ones, so that matches the WEB DV, either AppleTV or PMTP were the same, chosen the Apple one P5, and synced and converted to P8.

The Paramount WEB was chosen for the HDR10+, and with same method mentioned before, the HDR10+ was synced and injected with latest hdr10plus_tool.

Used superior video from the Warner Bros. EUR UHD Blu-ray, as it’s significant better than the Paramount USA UHD Blu-ray (even with FEL Baked in), with more grain retention and detail
SDR Comparisons: Warner Bros EUR UHD Blu-ray vs Paramount Pictures USA UHD Blu-ray: https://slow.pics/c/TEPHtKjl
HDR Comparisons: Warner Bros EUR UHD Blu-ray vs Paramount Pictures USA UHD Blu-ray: https://slow.pics/c/hIFe11Hx
Comparisons in SDR using L8 Trim from CM v4.0 (both UHDs can use CM v4.0): Remux vs USA UHD: https://slow.pics/c/mkrhVtpl

Audios still the same as before, the TrueHD 5.1 from Paramount USA Blu-ray is slight better with 24-bit while the other ones are 16-bit (most common). So synced the TrueHD and compatibility from the UHD. This one has only 24 frames cut, so in order not to have any container positive delay.

Additional subs synced and tonemapped to same % as the Warners UHD. Same for srts. Named chapters synced to I-frames.