thanks Martin. you’ve illuminated us.

NOTES
Demuxed with latest DGDemux with merge DV function. Used superior video of the Umbrella Entertainment AUS UHD Blu-ray which was encoded by Fidelity in Motion, it’s a lot better than the terrible, full of ridden macroblocking of the Kino Lorber (which has a hack authoring company doing the encodes -using fast or medium preset-, only by having the maximum bitrate on a UHD sometimes save it or B&W movies);

Both UHD have Dolby Vision MEL with CM v4.0. The main difference is on the AUS, there’s an option to choose the main movie and ditch the padded logo that doesn’t belong to the movie, displayed after the movie ended which is on joined m2ts of Kino Lober. Worth mentioning both Kino Lorber UHD and the AUS UHD have hardcoded for a part spoken in Afrikaans.

Both audio were from the AUS UHD, as the dolby stereo is identical to the Kino Lorber one and better than the GER/ESP/DVD one, with better sounding, rolloff.

For 5.1, both Kino and Umbrella use the NTSC DVD track, there’s literal no difference in the 3, though, the Kino has a lot more dithering, the Umbrella corrected a fadeout on the 5.1 track, while Kino still used the flawed one as the NTSC DVD

Chose the 5.1 on the Umbrella, as also the Kino is 16-bit padded.

Legacy commentary was from the Kino Lorber UHD, as the UHD had a bit more cutoff, the Kino is identical to the NTSC one, so it was added matching runtime of UHD remux. For the terrible commentary on the GER blu-ray, nothing could be done, even with de-deplosive or other similar methods, so kept as is, and synced with two edits to compensate frame differences (one being the fadeout and the other at the end), matching runtime of UHD.

PGS from the Kino Lorber were tonemapped to same % as UHD. The ocr’d srt from the Kino at that hardcoded part was set to the top like the PGS. The other PGS didn’t had the positions to the top because they were from an oldr master without hardcoded, so shifted the position for all these subs to the top on said part, besided the syncing (accounting said frame differences) and tonemapping to same % as UHD.

Named chapters synced to I-frames of the UHD remux.